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The museum is nestled in a green park, which softens the sharp exterior. Temporary exhibitions typically focus on the role design plays in daily life and how we interact with it. The museum is near the Tokyo Midtown complex in Roppongi, a short walk from Nogizaka Station. An installation space dedicated to design, 21_21 DESIGN SIGHT is Tadao Ando’s concrete contribution to Tokyo Midtown. But conceptually, it is closely interwoven with the ideas of fashion great Issey Miyake. The aim of 21_21 Design Sight is to promote understanding and interest in design by involving designers, corporate employees, engineers, craftsmen and the general public.
Building Connections: The Integral Role of Architecture in Human Existence and Community
It fits our concept that design should give life to the potential hidden within our daily lives.The distance between the numbers 21 and 21 is meant to be the space between human eyes, which describes this place as the "viewpoint" of design, i.e. Design Sight, and how important it is to observe things with a mind free of distractions. The pieces are accompanied by a graphic display with a large layout of 50 photographs of products. Taken by the photographer Gottingham, the large images lie on the walls behind the products, so visitors can witness details that are difficult to catch with the naked eye. Meanwhile, some of the products are showcased in room-like installations designed by interior designer Yumika Yoshida enhancing visitors’ experience by explaining how the products are used in real life.
Fabrica Research Center, Italy by Tadao Ando: A Masterpiece in Architecture and Design
secret source of inspiration: designers' hidden sketches and mockups at 21_21 design sight - Designboom
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Various installations are featured in the underground rooms and passageways that have been created by complexly combining geometries on the confined site. The dynamic underground space is unimaginable from the outside of the low-lying building. The experience of global pandemic has brought drastic and widespread changes to our life-style, communication methods and sense of community, as well as to people-values and general ways of thinking.
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"ZAKKA -Goods and Things-" About.
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Situated in the vibrant city of Tokyo, the Design Sight Museum contributes to the urban fabric with grace. Ando’s design takes into account the surrounding context, ensuring that the museum stands as a harmonious addition to the cityscape. The integration of green spaces and thoughtful landscaping further emphasizes the connection between the built environment and nature. Roppongi Hills is one of the largest real estate complexes in Japan, based in Roppongi, Minato-ku. The National Art Center (NACT) is a unique and innovative art exhibition facility in Roppongi, Tokyo. For those of us that hold a great interest in architecture and design, the Design Sight behind Roppongi’s Tokyo Midtown ..
Along with Miyake, the graphic designer Taku Satoh and the product designer Naoto Fukasawa acted as directors, and the three directors envisioned a space that would offer a fresh perspective on how to interpret and appreciate design. The entrance hall, whose sloping ceiling invites visitors down into the subterranean spaces in the depths of the building. Original goods include items related to the building designed by Tadao Ando, and those with the 21_21 DESIGN SIGHT logo designed by Taku Satoh. We can be sure what it is not — imitation, copy, homage, or influence.
Architect's Square Foot Costbook
From its thoughtfully planned interior spaces to the expressive facade that graces the city skyline, every aspect of the museum tells a story of purposeful design. As visitors explore the galleries and engage with the exhibits, they become part of a narrative that celebrates the intersection of creativity, functionality, and urban integration. The museum’s interior spaces are designed to adapt to a myriad of exhibitions and events.
This area serves as a cultural hotspot, boasting a plethora of attractions beyond the institution. Visitors can explore the Roppongi Hills, a skyscraper complex that combines shops, restaurants, cafes, movie theatres, and the Mori Art Museum, renowned for its contemporary art exhibitions. The National Art Center, Tokyo, another architectural marvel, is nearby, offering an ever-changing lineup of exhibitions. The two-story, 4,252-square-foot museum is actually one of two trapezoidal buildings that Ando designed for the site. Its twin is a single-story, 2,174-square-foot building containing a café.
The building is on the edge of the park area and has 1,700 square meters of floor space, including two galleries and an affiliated café run by chef and restaurateur Takamasa Uetake. Designed by architect Tadao Ando, 21_21 DESIGN SIGHT is a masterpiece of contemporary architecture. Nestled amidst a serene, open public space, seamlessly integrates with its natural surroundings. The decision to submerge 80% of the building’s floor space underground was a deliberate choice to preserve the tranquility of the environment. The success of this ambitious project is a tribute to the skilled craftsmen who meticulously executed the design without compromise, showcasing the pinnacle of Japanese construction expertise. 21_21 DESIGN SIGHT is situated in the heart of Tokyo Midtown, a vibrant and modern district in the Roppongi area of Tokyo, known for its blend of art, culture, and night life.
The museum, a design museum, was created by architect Tadao Ando and fashion designer Issey Miyake. The split-level concrete structure includes a hand-sanded steel roof (whose design was inspired by Issey Miyake's A-POC ("A Piece of Cloth") concept) and 14-meter (46 ft) long glass panels. The building is a low-rise structure consisting of one ground floor and one underground floor. Most of the volume of the building, which has a unique form featuring a roof made from giant steel plates that slope gently down to the ground, is buried underground. Once inside, the space opens out on a scale unimaginable given the building's unobtrusive exterior. The ground floor houses Gallery 3 and shop space, while the underground floor houses two galleries and a naturally lit sunken court.
We have engaged a range of participants, from designers, artists and thinkers, to engineers and researchers, who provide their own perspectives on the future. These ideas have been generated from the act of pondering timelines, whether familiar or yet unknown. The participants' ideas constitute the exhibition content, which manifests itself as "the Future in Plural Form," like a flourishing plant. In the heart of Tokyo, Tadao Ando’s Design Sight Museum stands as a beacon of architectural brilliance and design ingenuity.
It is read as "two-one two-one design sight."21_21 DESIGN SIGHT has its own symbol, a plaque called "The Product Logo," made of a sheet of metal. The plate, inspired by a style of address display panel seen anywhere in Japan, indicates this facility as being a "place" of design. This also represents something that we see all the time but never pay attention to.
The carefully curated exhibition spaces allow visitors to engage with design concepts in a dynamic and immersive manner. The architect’s thoughtful consideration of user experience is palpable as one navigates through the interconnected galleries. For those of us that hold a great interest in architecture and design, the Design Sight (read as “two-one two-one design sight”) behind Roppongi's Tokyo Midtown building is certainly worth a visit. This private design museum, Japan’s first, opened in 2007 and was intended first of all as a tribute to past achievements of Japan in the area of (industrial, architectural, environmental and fashion) design. Secondly, it should also function as a beacon of inspiration on how to approach future endeavors from a design and aesthetic point of view. Furthermore, whereas its seamless steel roof and concrete walls could have made for a cold and overbearing interior, its trapezoidal spaces manage to be both futuristic and intimate.
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